Tag: Tokoname

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I will burn all my trees

François Jeker’s 31-year-journey growing a bonsai forest When we make a bonsai forest, we think we are the Creator. We are under the illusion that we decide everything, the choice of the trees and their...

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Can Kimura dance with a shari?

Masahiko Kimura rearranges the foliage around a dancing shari Exploring the artistic sensitivity of Mr Kimura, we take a look at the material he will work on. The transformation is not tremendously dramatic, however the...

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This one?

Jörg Derlien’s all too familiar struggle to find the right pot fit for his larch The larch depicted here, a Larix decidua, was acquired in 2009 and obtained from the Alpine region of Wallis in...

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Lost in time

Fujikake Yuzan is a master in hand-painted pots Painting is a passion of Fujikake Yuzan and he gets lost in time while doing so. His refined work is much praised in Japan. Fujikake Yuzan, his...

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The spaceship

Thor Holvila tells us how his ideas come to life As a professional potter, commissions are a big part of my daily work, but as an artist I also have ideas about pots that I...

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Two Masters, one pine

Marco Invernizzi reworks a very old mugo pine, which has a story to tell. Marco Invernizzi fell in love with the remarkable shapes of this Italian mugo pine (Pinus mugo). Although already touched by another...

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The Quebecan pearl

The story of Linda’s favourite bonsai from the wild – both good and sad. Living in the Canadian city of Laval, Quebec, Linda Chicoine often goes on hiking tours to see if there is a...

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Traditionalist?

Sean Smith sticks with the formal style of Japanese art In 1994 Sean Smith took his 25-year passion for bonsai and suiseki, plus his extensive background in carpentry and put all them together to start...

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His father’s voice

Isao Omachi’s creates the bonsai his father envisioned Solving the problem with a new styling on a Juniper by turning the tree upside down using and making the most of the twist in the trunk...

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Just cut all the branches?

How to deal with upward-growing branches on a pine Impossible material with all its branches growing upwards becomes a fine bonsai. Toshio Ogawa notes the superb movement of the lower trunk and solves the problem...

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Carved mud

Ceramist Jonathan Cross creates pots in the desert Jonathan Cross creates ancient looking sculptures and pots, which may even sometimes look like architecture. All seem to come from a kind of post-apocalyptic aesthetic imagery. His...

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Keep ideas flowing…

For Walter Venne every bonsai exhibition is like a gallery where an artist can exhibit their work. Through such exhibitions Walter’s pots have found their way into the hands of many bonsai enthusiasts and Masters. […]