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Carving juniper deadwood with Master Kunihiko Kanemitsu Kunihiko Kanemitsu, of the Okayama City Kanemitsu Bonsai Studio, presents a dramatic contrast between life and death within the confines of a pot. Natural raw material is almost non-existent now. Even field or container grown trees are harder to come by, like juniper,…...
A semi-cascade for this oak was so logical René Alber: ‘This huge, but compact cork oak (Quercus suber) is ready for styling. The trunk is massive, has a wonderful curving movement and a fantastic corky bark. With these excellent characteristics an impressive bonsai can be created’The cork oak was collected…...
Harry Harrington recovers a crab apple (Malus sylvestris) raft bonsai with a new design. I think many of us, as bonsai enthusiasts, will be familiar with the phrase ‘a bonsai is never finished’. However, I suspect that some people do not necessarily understand exactly what that means. Some bonsai can…...
Harry Harrington reworks a Japanese yew with superb fluting. An elegant 88 cm Japanese yew (Taxus cuspidata) was bought to my garden by its owner in June 2020, explains Harry. My task was to style and carve it. A very healthy imported specimen, the yew had strong vibrant green foliage,…...
Dominique Bosch styles a sabina juniper Dominique Bosch, an upcoming Dutch bonsai artist, has been studying under Masters like Hotsumi Terakawa, Salvatore Liporace and Taiga Urushibata of the Taisho-En in Japan. In 2017 he was one of the demonstrating guests of the 4th Zhongguo Penjing Exhibition in China. Dominique has…...
