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The last Giant

Taking a mega juniper from raw material to masterpiece bonsai
Mr Hirokatsu Iura and his son Takashi Iura took quite a risk in creating a marvellous juniper of amazing proportions.

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The roof of the world

A suiseki, or viewing stone, often seems to resemble a mountain range in miniature. Its similarity to a rocky cliff or a distant mountain view is amazing.

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Is it real?

Bonsai has the magical power to transport us to another world and Patrick Bergsma’s Landscape-Sculptures do just that — but are they real?

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Just Clip and grow?

Hawthorn, or Crataegus, is a great subject for bonsai. Easy growing and very forgiving when mistakes are made. It will send out multiple new shoots, giving you plenty of opportunity to grow new branches.

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Don’t follow the others

François Gau is the winner of our 'New Innovative' prize (awarded at the European Bonsai San show, Saulieu, France). He is very creative and has an amazing collection of native bonsai.

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Ikadabuki

How to create bonsai from cuttings, grafting and other methods using interesting and unusual species. With the help of illustrations we will see how to take a piece of material through to its completion. This time we are working with crab apple, Malus zumi

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At your own risk

Italian, Alessandro Bonardo, now 24, has been an apprentice under Mr Kimura for 6 years and in May 2022, it was formally announced that he had graduated. Within the garden he is affectionately known as Aless. Mr Kimura prepared a tree, an unusually shaped Miyajima white pine for this demo, a transformation to celebrate his graduation

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Taming the wild

It is really easy to create a magnificent bonsai if you start from raw material with great potential. There are those trees that at first glance already have the right look. You only have to use the appropriate techniques to make that tree into a high-level bonsai.

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Reverse taper

Miura Hiroki (from Miura Baijyu-En nursery) is a specialist in shohin bonsai. Here he shows how to improve trees with reverse tapering trunks by using air-layering techniques

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The key branch

The material used here is a Satsuki. It is a twin trunk and there are two apicies, but without a clear and obvious overall direction. The first thing to do will be to determine the front of the tree and work from there.

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Is this all?

Hiroki Miura works on a Chinese juniper

At first glance, the featured juniper has great looks; however, Hiroki Miura shows us that when we take a closer look, the tree is really a bit dull . . .

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